Posted on November 15, 2016 by Nigel Hayes
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Darcy Epp began her pottery career in 1993 by taking night classes with a studio potter. She immediately realized that working with the magic of clay on the potter's wheel and individual hand sculpting was something that would be immensely fulfilling.
She has taken many workshops in both functional and decorative pieces at North Island College and Metchosin International School of the Arts, as well as specialized workshops and seminars from Gordon Hutchens (Denman Island), Siegele and Haley (Arkansas), Alan Burgess (Courtenay)..
Not limiting herself to one medium, she has learned and crosses over between traditional thrown pottery to slab work, Raku and porcelain, often incorporating the theory of one discipline to another.
A passion for nature and ocean themes, her attention to the intricate details of Orcas, Starfish, and Maple leaves has earned her pottery prominence in some of the most exclusive resort destinations venues.
Raku is an ancient type of Japanese firing dating back to the 16th century. Beautiful iridescent blues, violets, copper and crackle glazes are produced on either wheel thrown or sculptural pottery.
The pottery is fired to 1800° and then "reduced" in a chamber which catches fire immediately. The fire uses up all the oxygen in both glaze and chamber, thus producing one of a kind results.
Darcy's Raku kiln designed by Randy Brodnax who lives in Texas and still teaches pottery. Randy brought the kiln up to Metchosin and gave Raku lessons and left the kiln behind as it had to welded on site after he brought it up. Darcy bought the kiln from Sandra Dolph bought the kiln home to her studio in beautiful Black Creek on Vancouver Island
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sea horse,
turtle
Posted on July 30, 2015 by Sue Hayes
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One of the great pleasures of owning a studio is that just occasionally you meet an artist who produces some really creative and beautiful work. Darcy Epp is a perfect example. Her Raku is stunning and very well worth viewing.
Darcy began her pottery career in 1993 by taking some night classes with a studio potter. She immediately realized that working with the magic of clay on the potter’s wheel and individual hand sculpting was something that would be immensely fulfilling.
She has taken many workshops in both functional and decorative pieces at North Island College and Metchosin International School of the Arts, as well as specialized workshops and seminars from Gordon Hutchens (Denman Island), Siegele and Haley (Arkansas), Alan Burgess (Courtenay) as well as many others.
Not limiting herself to one medium, she has learned and crosses over between traditional thrown pottery to slab work, Raku and porcelin, often incorporating the theory of one discipline to another. A passion for ocean themes, her attention to the intricate details of orcas, starfish, and rockfish has earned her pottery prominence in some of the most exclusive resort destinations venues.
Raku is an ancient type of Japanese firing dating back to the 16th century. Beautiful iridescent blues, violets, copper and crackle glazes are produced on either wheel thrown or sculptural pottery. The pottery is fired to 1800° and then “reduced” in a chamber which catches fire immediately. The fire uses up all the oxygen in both glaze and chamber, thus producing one of a kind results.
Darcy lives in Black Creek on lovely Vancouver Island. B.C. and you can find more of her beautiful work at Side Street Studio, Victoria, B.C.
A World Made By Hand
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wedding gifts,
wildlife
Posted on July 29, 2015 by Sue Hayes
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Ed Oldfield make fabulous We Coast Raku pottery
Ed was born in Orillia, Ontario in 1955. While still young, he moved with his family to Duncan, British Columbia. He graduated from high school there in 1973 and went on to the University of Victoria where he studied Visual Art and graduated with a B.F.A. in 1977.
He continued his studies in the Faculty of Education receiving his teaching certificate in 1978. In 1992 he earned an M.Ed. degree in educational administration also from the University of Victoria.
Currently Ed resides in Powell River where he taught grade 7 students until very recently. After 28 years of teaching visual arts and pottery at the high school level, Ed now channels his artistic energy into creating uniquely west-coast artwork. With a particular focus on Raku pottery.
His work is heavily influenced by the Pacific West Coast, its natural beauty, rugged coastline, aboriginal history, and is tuned to this ecologically sensitive environment.
A World Made By Hand
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Posted on July 29, 2015 by Sue Hayes
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Jack Olive grew up in Thunder Bay, Ontario. After obtaining a degree in Chemistry and Mathematics from Mooorhead State College in Minnesota he spent 3 years working as a biochemist at the University Of Oregan Medical School. But a strong creative gene began to override a love of pure science and so Jack returned to Moorhead to work on a degree in ceramics and graphics.
In 1971 Jack moved to Vancouver to become a founding member and director of the Vancouver Clayworks Society; a 12 member cooperative ceramics studio.
In this hugely creative atmosphere Jack worked with other members of the group to develop methods of applying graphic images i.e. photography, drawing and painting to clay. His style of work ranges from abstract geometric to wildlife painting and drawing. Currently Jacks pottery images include Pears, Salmon, Orcas, Ravens, Apples and Crows. These images are incorporated into a large range of functional pottery items from Jugs to Mugs , Casseroles , Bowls, Plates, Tea Pots, Pitchers and more...
Jack has recently explored the techniques and possibilities of Raku. This example uses “naked Raku” techniques, which result in a pot that is white with a black line image. A dry pot is covered with terra sigliata (liquid clay), fired once to bisque temperature, and then covered with a high-fire clay slip and a low fire glaze, through which he etches the design.
The Raku firing process requires a special Raku kiln that is fueled by propane and reaches temperatures of about 1800°F (about 982°C).
The piece is then fired to Raku temperatures, and placed into the smoking chamber. When the piece is cooled, he peels off the slip and glaze to reveal the black line on the white background. The resulting pots have a lighter, more textured quality than his traditional stoneware.
In order to complete the firing process, the Raku pottery must remain in the kiln for approximately 30 minutes. The Raku pottery is removed from the kiln using specially designed Raku tongs.
While the Raku pottery piece is still hot and glowing, it is placed inside a metal can full of combustible materials. The heat emitted from the Raku pottery causes these materials to catch on fire. After the materials inside the metal can catch on fire, a lid is placed over the can and the Raku pottery is sealed inside.
The Raku pottery is capable of withstanding these high temperatures and the fire within the can because it is made from a special type of clay that is capable of withstanding thermal shock.
Jack now lives and works in Gibsons on the beautiful B.C. Sunshine Coast but you can see lots of Jack’s magnificent creative work – both Raku and Stoneware at http://www.sidestreetstudio.com/collections/pottery/jack-olive-pottery
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bowls,
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cream & sugar set,
dishes,
jack olive pottery,
jugs,
local crafts,
mugs,
oak bay,
plates,
pottery,
raku,
salad bowls,
shaving skuttle,
shop local,
tea pots,
wedding gifts